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664000,. Irkutsk,
Lenin street 5
E-mail iohm@irk.ru
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History
of creation
The Art Museum of Irkutsk
ranks among the best art repositories of Siberia. This
fact, although significant in itself, is hardly
surprising when viewed from historical perspective.
Irkutsk is one of the oldest Siberian towns. In fact,
from its early years Irkutsk, then a small borderline
settlement, founded on the banks of the Angara River near
Lake Baikal, was to become the meeting place of the major
trading and diplomatic routes connecting Russia with its
eastern neighbours. In the seventeenth and eighteen- the
centuries, with its churches being erected and numerous
works of art acquired, Irkutsk was regarded as the major
seat of culture in Siberia. In the 1850s Irkutsk saw the
creation of its art museum, one of the first in Siberia.
Inaugurated under the auspices of the Main Department of
Eastern Siberia, it was later affiliated with the East
Siberian Division of the Russian Geographical Society.
The names of art collectors are first mentioned in the
town's annals as far back as the eighteenth century. Thus
we know that the Irkutsk governor Mikhail Sibiriakov, a
'distinguished citizen' and owner of gold mines in
Siberia, acquired a fine collection of painting and
engravings with views of Siberian towns. It was to him
that the outstanding Russian poet and statesman Gavrila
Derzhavin presented, in 1801, a portrait of himself by
the Italian artist Salvatore Tonci.
The most remarkable and extensive collection of paintings
belonged to Vladimir Sukachov (1849 - 1920), the onetime
mayor of Irkutsk. It was this collection that formed the
nucleus of the future museum. To set up an art gallery
accessible to the general public was Sukachov's life-long
ambition; with this purpose in mind, he made trips to
St.Petersburg in the 1870s where he bought a number of
canvases mainly by progressive-minded Russian artists. By
the turn of the century Sukachov's collection had
contained over eighty excellent works by Russian and
Western European artists as well as some items of
sculpture. Paintings by Ilea Repin, Constantin Trutovsky,
Leonid Solomatkin, Vasily Maximov and Konstantin Makovsky
were the pride of his collection. Sukachov's mansion,
which housed the only art gallery in Siberia, was open to
townsfolk and visitors alike. An interesting account of
it was left by Jules Legard, professor of Bordeaux
University, who made a trip to Siberia in 1897s. In this
book "Across Siberia", published in Paris two
years later, Professor Legard wrote: "The other day
I was introduced to the local mayor Mr.Sukachov. He is an
elegant Siberian gentleman whose name is familiar to many
people in Paris. Few of them, however, have had the same
pleasure as I did of seeing his charming gallery which is
obviously one of the rarities of Siberia... The
collection is made up almost exclusively of works by
Russian artists: here is a fine example of true
patriotism, which I find highly commendable". And
indeed, a man with wide interests and a real concern for
the welfare of Siberia, Sukachov did much for the
cultural development of the region. It was on his
initiative that a new theatre was erected. While holding
the office of Chairman of the East Siberian Division of
the Russian Geographical Society, Vladimir Sukachov
authorised funding for the scientific expeditions of
Gregory Potanin, the noted Russian explorer of China,
Tibet and Mongolia. He also financed the building of
several primary schools in the town, published books on
the history and culture of Irkutsk. Besides this, he
rendered the necessary assistance to the young Siberians
who studied in St.Petersburg.
Before leaving for the Crimea - his wife was in poor
health - where he intended to settle down for good,
Sukachov offered his collection as a gift to the town;
his generous offer, however, was turned down by the local
authorities who did not want the trouble of looking after
the collection, and for a time it was without an owner.
With the establishment of Soviet power in Siberia, by a
special decree of the Irkutsk Gubernia Committee the
gallery became the property of the young Soviet Republic.
Whereas in 1920 the collection contained about hundred
pictures, by the end of the decade it had increased to
two thousand. Its further growth was ensured by the
Leningrad and Moscow branches of the State Museum Fund,
as well as various municipal bodies of Irkutsk. In 1936
the art gallery was made independent of the town's museum
of local lore.
In recent decades the Museum received large donations
from Moscow collectors, including paintings by the
outstanding masters Gerard Seghers and Michele Marieschi,
presented by Felix Vishnevsky. About two thousand works,
among them icons, paintings, objects of early Russian
applied art, prints and drawings - a huge collection by
any standard - were donated by Nikolai Velichko.
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